Timeless Woodworking Techniques That Still Shape Modern Furniture Design
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An Ode to the Makers
For those who work with their hands, heart, and mind
There’s a quiet pulse in every workshop, studio, and garage. A rhythm older than electricity, older than machinery, older than anything sold in a store. It’s the pulse of creation—the heartbeat of the people who shape the world with raw material, imagination, and grit.
This is an ode to the makers.
Not the ones chasing trends or algorithms, but the ones who show up every day because the work is in their bones. The ones who create because they must. Because their heart beats louder when they’re building something that didn’t exist yesterday.
This is for the early risers who sketch ideas with their morning coffee.
For the woodworker shaping cherry and walnut until the grain begins to sing.
For the welder who writes in sparks.
For the painter turning white canvas into memory.
For the sculptor revealing form hidden within stone.
For the dreamers who cut, carve, shape, sand, join, and finish until their vision becomes reality.
It’s for the makers who use the three tools that can never be digitized:
Their hands. Their heart. Their brain.
The hands — the storytellers.
They hold the memory of every project, every miscut, every victory. They carve the lines of our legacy. They ache sometimes. They bleed sometimes. But they never quit.
The heart — the compass.
It knows when a piece is right. When craftsmanship demands another hour, another pass of the plane, another detail no one sees but the maker can’t ignore. It’s the part of us that whispers, “Do it the right way.”
The brain — the architect.
It balances precision with imagination.
Math with style.
Experience with instinct.
It’s the spark that says: “I can build that.” Even when others call it impossible.
To create is to care—with your whole being.
To make something by hand is to leave a part of your soul in the world.
In a time of shortcuts, mass-production, and disposable everything, makers remind us of something deeply human:
The best things in life take time. They take skill. They take heart.
So here’s to every maker—every woodworker, artist, welder, sculptor, designer, craftsman, and creator who keeps the old ways alive.
May your hands remain steady.
Your heart stay fierce.
And your mind forever hungry for the next beautiful idea.
And may the world always remember the value of what you create.
If you believe in the value of handcrafted work — in furniture and art made with intention, skill, and legacy — consider commissioning a one-of-a-kind piece from me.
Visit: www.andersonwoodwork.net
Call or Text: 360-259-0232
Together, let’s build something beautiful that will outlast us both.
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🙌 Support the Craft — Keep the Tradition Alive
If you’ve enjoyed this post or found inspiration in the work I do, consider supporting the craft. Your donations help me continue creating heirloom-quality, one-of-a-kind furniture and sharing the process with you.
👉 Click here to donate — every bit goes directly into the shop, the tools, the time, and the stories behind the pieces.
And if you’re interested in commissioning a custom piece for your home, visit andersonwoodwork.net — let’s design something truly special together.
Thank you for being part of this journey.
Building a Teak Table That Will Outlast Us All
Craft, patience, and the beauty of real joinery.
Every now and then a project comes across my bench that reminds me why I chose this life—why I traded mass-produced throwaway furniture for the kind of work that demands patience, precision, and a deep respect for the wood itself.
This teak table is one of those pieces.
If you’ve followed my work for a while, you know I gravitate toward builds that allow the wood to speak for itself. Teak has a voice—warm, rich, oily, and unmistakable—and this table gave me the chance to bring out every bit of character it holds.
From Raw Parts to a Living Surface
Before any glue ever touched this table, there were hours of layout, hand-trimming, and fitting.
Here’s a look at the parts during the dry-fit stage:
Every piece you see in that photo has a purpose and a relationship to the others. Teak isn’t a wood you rush. It demands sharp tools, steady hands, and respect. It fights you a little—but in a way that makes the finished result even more rewarding.
Each slat, every panel, and those long sweeping rails were shaped, matched, and hand-fitted. There’s something satisfying about seeing a project laid out like this—almost like a giant wooden puzzle you created from scratch.
A Tabletop With Depth and Movement
Once assembled, the top came alive.
The slatted pattern creates movement, almost like shifting light across a deck on a warm evening. The framing brings balance and structure, while the natural variation in the teak adds warmth and depth. This isn’t a surface you forget—it’s one you want to run your hands across.
There’s no stain here. No tricks. Just teak being teak. I simply sanded it true and brought the grain forward with a finish that protects without drowning the wood’s natural beauty.
Why I Build Like This
I get asked sometimes why I put so much effort into joinery and solid wood construction when the world seems happy with disposable furniture.
My answer is simple:
Because real furniture should outlast trends, owners, and even the craftsman who built it.
This table is made the way furniture used to be made—with joinery that can be repaired, wood that ages with dignity, and craftsmanship that doesn’t cut corners.
When someone commissions a piece from me, I’m not just building an object.
I’m building a story they can live with, use every day, and eventually pass on.
Teak, Craftsmanship, and the Satisfaction of the Work
Teak is timeless. It weathers beautifully, it’s naturally durable, and it carries this warm organic glow that only gets better with age.
But more than that—this project was simply fun.
It challenged me.
It required every trick I’ve learned over the years.
And it reminded me that creating something with your own hands still matters.
Thank you for following along on these builds and supporting handcrafted work. If you’d like to commission a piece that’s built to last generations, you can always reach me at andersonwoodwork.net or call/text 360-259-0232.
More builds coming soon—stay tuned.
🙌 Support the Craft — Keep the Tradition Alive
If you’ve enjoyed this post or found inspiration in the work I do, consider supporting the craft. Your donations help me continue creating heirloom-quality, one-of-a-kind furniture and sharing the process with you.
👉 Click here to donate — every bit goes directly into the shop, the tools, the time, and the stories behind the pieces.
And if you’re interested in commissioning a custom piece for your home, visit andersonwoodwork.net — let’s design something truly special together.
Thank you for being part of this journey.
🪵 In the Shop: Jack Finished, Sally Begins, and a New Desk in the Works
There’s a creative rhythm flowing through the shop lately — the kind that happens when craftsmanship and collaboration come together.
I just finished Jack, a marquetry piece inspired by The Nightmare Before Christmas. This project has been a fun and inspiring collaboration with another talented local woodworker, Justin La Gra. Together, we’re creating something truly unique — Jack and Sally will both be incorporated into a set of themed rocking chairs that Justin is building. His craftsmanship and eye for design pair beautifully with the marquetry detail work, making this a project that really celebrates artistry in wood.
🪶
Sally Takes Shape
With Jack now complete, I’ll be starting on Sally next. Her design brings warmth, color, and contrast — she’ll balance Jack’s darker tones perfectly. I’m excited to see how both characters will come to life once they’re part of Justyn’s rocking chairs.
🪚 The Desk Project
At the same time, I’m working on a custom desk build. The parts are all cut and ready, and the next step is applying the edging. There’s something deeply satisfying about this process — watching rough-cut wood evolve into a piece of fine furniture that will last a lifetime.
Each project reminds me why I love this craft — the blend of imagination, precision, and patience that turns an idea into something tangible and lasting. Collaborations like this one push that creativity even further, showing how two makers can combine their skills to create something one-of-a-kind.
🍂 Artist’s Note
There’s something about this time of year — the fall light coming through the shop windows, the scent of sawdust, and the quiet focus that comes with each new project. Working alongside other makers like Justyn reminds me that craftsmanship is as much about community as it is about wood and tools.
Each collaboration carries a bit of shared vision, and through that, the work takes on new life. As Jack and Sally come together in his themed rocking chairs, I’m reminded that creativity isn’t just in what we make — it’s in how we work together to make it.
Stay tuned for more updates from the shop as Sally takes shape and the desk build continues.
🔗 Learn More
If you’d like to learn more about my work or commission a custom piece, visit Anderson Woodworks — where craftsmanship meets creativity.
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🍁 The Art of Maple Leaf Marquetry: Capturing Autumn in Wood
There’s a quiet magic that happens in the workshop when the air outside turns crisp and the colors of fall begin to shift. The light is softer, the wood smells sweeter, and inspiration seems to come from every falling leaf.
In my latest full-length video, I share the creation of a maple leaf marquetry piece — a work that brings together patience, precision, and a deep appreciation for nature’s fleeting beauty.
A Tribute to Autumn
The maple leaf has long been a symbol of change, balance, and reflection. In marquetry, that symbolism becomes tangible. Each small veneer represents a fragment of the season — shades of gold, amber, and red pieced together to hold on to a moment that would otherwise pass.
Creating this piece reminded me why I fell in love with woodworking in the first place. Working with real materials, guided by hand tools, allows time to slow down. Each cut and fit carries intention. Every decision leaves a trace of the maker — the human hand behind the precision.
The Process
In the video, you’ll see how I design, cut, and assemble the veneers that make up this maple leaf. From the first sketch to the final polish, every step demands focus and patience. That’s the beauty of marquetry — it’s both art and discipline.
What might look simple at a glance is actually a puzzle of tone, grain, and contrast. The way light catches the wood, the direction of the grain — all these subtle choices bring life and depth to the finished piece.
Holding Onto Nature’s Poetry
Fall always reminds me how short-lived beauty can be. The colors fade, the leaves fall, and the world turns quiet. But through craft, I can preserve a piece of that feeling — turning the impermanent into something that will last for generations.
That’s what drives my work: creating pieces that are not just functional, but meaningful. Art that connects us back to the land, the seasons, and the traditions of fine woodworking.
Watch the Full Video
If you’d like to see how this piece was made from start to finish, watch the full video on my YouTube channel. It’s a journey through the marquetry process — the design, the detail, and the quiet rhythm of craft.
👉 Learn more about my work, my process, and how to commission a custom piece at:
If you enjoy the video, please take a moment to like, share, and leave a comment — your thoughts and support mean a lot and help keep the art of craftsmanship alive.
🍂 Thank you for being part of this journey and for appreciating the beauty of handmade work. 🍂
The Beauty and Legacy of Cherry Wood
Cherry wood has long held a special place in fine furniture making. Known for its warmth, workability, and timeless character, it’s a species that bridges America’s woodworking past with its present-day craft traditions.
A Brief History
American black cherry (Prunus serotina) has been used in furniture making since the early colonial era. Early American craftsmen prized it for its smooth grain and ability to take a rich, glowing finish. In the 18th and 19th centuries, cherry often appeared in Shaker and Federal-style furniture—chosen both for its beauty and its local availability across the Eastern United States.
Over time, as imported woods like mahogany became less accessible, cherry became one of America’s defining hardwoods.
Where Cherry Grows
Cherry trees thrive in the temperate regions of the eastern and central United States, particularly in Pennsylvania, New York, West Virginia, and Ohio. The heartwood develops its characteristic reddish-brown tone as it ages, while the sapwood remains a light creamy color—this natural contrast often becomes part of a furniture maker’s design.
The best-quality cherry lumber often comes from the Appalachian region, where slow growth produces fine, even grain. These forests are sustainably managed, ensuring that cherry remains a renewable American resource.
Uses and Applications
Cherry’s fine, even texture makes it a favorite among cabinetmakers, furniture builders, and woodturners. It’s found in everything from custom cabinetry and tabletops to musical instruments and architectural millwork.
Because it ages gracefully—deepening in color as it’s exposed to light—cherry furniture develops a natural patina that tells the story of time. That quality makes it a top choice for heirloom pieces.
Working Cherry by Hand
For the craftsman using traditional hand tools, cherry offers a rewarding experience. It planes and chisels cleanly, with a smooth, buttery feel beneath the blade. Its moderate hardness means it holds detail well without being punishing on tools.
That said, cherry’s grain can sometimes be unpredictable—especially around knots or curly figure—so sharp tools and careful grain reading are essential.
When sanded or scraped properly, the wood’s surface accepts oil or shellac beautifully, producing a finish that glows with depth and warmth.
A Wood of Lasting Value
Cherry is more than a beautiful material—it’s a cornerstone of American craftsmanship. Its combination of color, durability, and workability has kept it relevant for centuries. Whether shaped by hand planes or modern tools, cherry continues to reward those who respect the craft.
Commission Your Own Cherry Masterpiece
At Anderson Woodworks, each piece is made by hand with respect for the material and the craft. If you’ve ever dreamed of owning a custom cherry table, desk, or built-in that will grow richer with time, now’s the moment to begin.
📞 Call or text 360-259-0232 to schedule a consultation, or look around my website to start your custom furniture journey.
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Marquetry vs. Mass-Produced Wood Wall Art: Understanding the Difference
I get the question often enough that it deserves a direct answer.
“Why does your marquetry piece cost $2,500 when I can buy wood wall art at West Elm for $300?”
It’s a fair question. At first glance, they might look similar—both are wood, both hang on a wall, both feature natural imagery. But the difference between handcrafted marquetry and mass-produced wood decor is the difference between a hand-forged knife and a stamped blade. They may serve similar purposes, but they’re not the same thing.
Let me walk you through what separates them.
The Material Question: Solid Hardwood vs. Printed Veneer
Most wood wall art you’ll find in furniture stores or online retailers isn’t actually made from solid wood in the way you might imagine.
The typical construction:
- MDF or particle board base
- Thin printed veneer or vinyl film applied to the surface
- Wood grain pattern is photographed and printed, not real
- “Wood” frame is often plastic with wood-grain texture
What this means: The wood you’re seeing is decorative surface treatment, not structural material. It’s designed to look like wood from a distance, photograph well for catalogs, and ship cheaply in flat boxes.
Marquetry construction: Every element you see in one of my marquetry pieces is solid hardwood—cherry, walnut, maple, oak—the same species I use in dining tables and cabinets. Each leaf, each petal, each branch is cut from boards that were once living trees, with real grain patterns, natural color variation, and the character that only comes from decades of growth.
The butterfly wings in the piece I just completed? Book-matched cherry, meaning I split a single board and opened it like a book to create perfect natural symmetry. The darker elements? Walnut heartwood, selected for its deep chocolate tones. The background? Spalted maple with natural figuring created by fungal patterns in the living tree.
You can’t print that. You can’t fake it. And you can’t get it for $300.
Material cost reality: A typical mass-produced piece uses $15-30 in materials. My marquetry pieces use $130-250 in premium hardwoods alone, before factoring in the walnut frame, backing, and non-toxic finishes.
The Craftsmanship Divide: Laser Cutting vs. Hand Fitting
Here’s where the real difference lives.
Mass-produced wood wall art—even the “handmade” versions on Etsy that use real wood—are typically created using:
- CNC routers or laser cutters (computer-controlled machines)
- Pre-designed templates downloaded or purchased
- Assembly-line production (one person cuts, another assembles, another finishes)
- Minimal hand-fitting or adjustment
What this enables: Speed. A laser cutter can produce 20 identical pieces in the time it takes me to cut and fit a single butterfly wing. There’s nothing inherently wrong with this—it’s efficient manufacturing. But it’s manufacturing, not craftsmanship.
Traditional marquetry: Every piece I create is hand-cut using the same tools furniture makers have used for centuries—coping saws, chisels, planes, and scrapers. Each element is individually fitted, adjusted, and refined until the joints are tight enough that you can’t see glue lines.
This is furniture-grade joinery applied to wall art. The same mortise and tenon precision, the same attention to grain direction, the same zero-tolerance fitting I use in heirloom dining tables.
Why hand-cutting matters: It allows me to respond to the wood itself. When I’m cutting a butterfly wing and encounter unexpected figure in the cherry, I can adjust the design to feature it. When two pieces don’t quite fit, I can plane them by hand until they do. When the grain wants to run a certain direction, I can honor that.
A CNC router follows the program. A craftsman follows the wood.
The Time Investment: Hours vs. Minutes
Let’s talk about what “handmade” actually means in terms of time.
Mass-produced timeline:
- Design: 0 hours (template purchased or downloaded)
- Cutting: 15-30 minutes (machine does the work)
- Assembly: 30-60 minutes (glue and clamp)
- Finishing: 15-30 minutes (spray finish, quick dry)
- Total: 2-3 hours per piece
My marquetry timeline:
- Design and layout: 2-4 hours (sketching, wood selection, planning grain direction)
- Cutting individual elements: 10-20 hours (hand-cutting 80-150 pieces)
- Fitting and adjustment: 4-8 hours (ensuring tight joints, no gaps)
- Assembly and gluing: 2-4 hours (careful clamping, cleanup)
- Finishing: 2-4 hours (multiple coats of oil and wax, hand-rubbed)
- Framing: 2-3 hours (mitered frame corners, French cleat mounting)
- Total: 22-43 hours per piece
That’s not an exaggeration. The butterfly piece I posted yesterday? Thirty-two hours of focused work over six weeks, fitted around furniture projects.
Why this matters: Time is the most honest measure of value. When you purchase one of my marquetry pieces, you’re not just buying wood and glue—you’re buying 30-40 hours of my attention, skill, and intention. Every hour I spend on that piece is an hour I’m not building furniture, not taking on another project, not doing something else.
Mass-produced pieces minimize labor to maximize profit. Handcrafted pieces honor labor as the source of value.
The Longevity Question: Decoration vs. Heirloom
Here’s the uncomfortable truth about most mass-produced wood wall art: it’s designed to last 5-10 years, not generations.
Typical construction weaknesses:
- Printed veneers fade with sunlight exposure
- MDF cores absorb moisture and swell
- Spray finishes chip and peel
- Glued joints separate over time
- Thin materials warp in seasonal humidity changes
I’m not saying these pieces are poorly made for what they are—they’re designed to hit a price point and aesthetic trend. But they’re not built to become family heirlooms.
Marquetry built to furniture standards: When I create a marquetry piece, I’m using the same construction principles I use in dining tables that will serve families for 50+ years:
- Solid hardwood construction (no veneer, no MDF)
- Traditional joinery (fitted joints, not just glue)
- Non-toxic oil and wax finishes that penetrate the wood (can be refreshed in 20 years)
- Proper wood movement accommodation (pieces can expand and contract with seasons)
- Quality frame construction with furniture-grade joinery
What this means: The marquetry piece you purchase today should look essentially the same in 2075. The wood will develop a richer patina. The finish can be refreshed if needed. But the piece itself—the craftsmanship, the joinery, the integrity—will endure.
Your great-grandchildren will inherit it, and it will still be beautiful.
Can you say that about something from HomeGoods?
The Investment Perspective: Cost vs. Value
Let’s address the elephant in the room: price.
A mass-produced wood wall art piece costs $150-400.
My marquetry pieces cost $1,800-5,500.
That’s a significant difference, and it deserves honest examination.
What you’re paying for with mass-produced:
- Materials: $20-40
- Labor (2-3 hours at $15-25/hour): $30-75
- Overhead and profit margin: $100-285
- Total: $150-400
What you’re paying for with handcrafted marquetry:
- Materials (premium hardwoods, frame, finish): $130-250
- Labor (30-40 hours at $97/hour): $2,910-3,880
- Overhead (workshop, tools, maintenance): Included in labor rate
- Total cost: $3,040-4,130
- Retail price: $1,800-5,500 (I’m actually underpricing based on pure labor costs because I fill gap time between furniture projects)
The value equation: When you buy mass-produced, you’re paying for convenience and trend-matching. When you buy handcrafted, you’re paying for:
- Irreplaceable skill (decades of furniture-making mastery)
- Irreplaceable time (30-40 hours of focused craftsmanship)
- Irreplaceable materials (solid hardwoods with natural character)
- Lasting value (heirloom quality that appreciates over time)
Consider this: A $300 piece that lasts 7 years costs $43/year. A $2,500 piece that lasts 75+ years costs $33/year—and can be passed down with increasing sentimental value.
Which is the better investment?
The Story Behind the Work
There’s one more difference that’s harder to quantify but impossible to ignore: provenance.
When you purchase mass-produced art, you’re buying a product. You don’t know who designed it, who cut it, who assembled it. It was likely created by multiple people across multiple facilities, none of whom will ever know where it ended up or who’s living with it.
When you purchase one of my marquetry pieces, you’re buying a story:
You know it was created in a 250-square-foot workshop in Yelm, Washington, by a self-taught furniture maker who learned the craft from his grandfather’s tools. You know the cherry came from Edensaw, a local lumber supplier I’ve worked with for years. You know I selected each board personally, looking for grain and color that would serve the design.
You know I cut each piece by hand, fitted each joint, applied each coat of finish. You know that when I signed the back of the piece, I was signing something I’m proud to have created.
And if something ever goes wrong—if the piece is damaged, if you want to commission a companion piece, if you just want to talk about the wood—you can call me. I’m here.
That’s not something you get from a factory in China or a fulfillment center in Ohio.
Making the Choice
I’m not here to tell you that mass-produced wood wall art is bad or that you should never buy it.
If you’re furnishing a rental apartment, decorating a vacation home, or simply want something trendy and affordable to fill a wall, mass-produced pieces serve a purpose. There’s no shame in that.
But if you’re looking for something more—something that carries meaning, that reflects your values, that will outlive you and become part of your family’s story—then handcrafted marquetry is worth the investment.
The difference isn’t just in the price tag. It’s in the materials, the time, the skill, and the intention behind every cut.
It’s the difference between decoration and legacy.
About Anderson Woodworks
I’m Brian Anderson, a furniture maker and marquetry artist working in Yelm, Washington. I create heirloom-quality custom furniture and wall art using traditional hand-tool techniques and Pacific Northwest hardwoods. Every piece is built to last generations.
If you’re interested in commissioning a marquetry piece or learning more about the process, visit www.andersonwoodwork.net or reach out directly.
Current lead time for marquetry commissions: 6-8 weeks.
🌰 Where the Walnut Whispered: A Tribute to the First Shop
Before the commissions, before the campaigns, before the philosophy carved into every joint—there was a humble shop. A place where the scent of walnut mingled with ambition, and the floor bore witness to every misstep, breakthrough, and midnight epiphany. This was where my business began. Not with fanfare, but with grit, glue, and a stubborn belief that beauty could be a form of resistance.
📍 The Bones of the Place
It wasn’t much. A borrowed corner of a garage, a secondhand workbench, clamps that had seen better decades. But it held me. Held my ideas when they were still fragile. Held my hands when they trembled with doubt. The walls were lined with lumber and longing. And always—always—there was walnut. Heavy, moody, noble. It taught me restraint. It taught me reverence.
I built my first piece there—a cabinet that wobbled with pride. I learned the language of wood grain, the patience of joinery, the poetry of imperfection. That shop taught me that craft isn’t just about precision. It’s about presence.
🔨 Where Craft Met Conviction
It was in that space that I began to understand furniture as more than function. Each piece became a quiet protest, a vessel for memory, a stand against erasure. I carved stories into tabletops. I embedded legacy into dovetails. I wrote manifestos in sawdust.
Clients didn’t just buy furniture—they commissioned declarations. And it all started in that old shop, where the light hit just right in the late afternoon, and the walnut glowed like it knew something sacred.
🕯️ A Farewell, Not a Forgetting
I’ve moved on. The tools are sharper now, the space more refined. But I return to that shop often—in thought, in gratitude, in reverence. It was my crucible. My sanctuary. My first collaborator.
To the shop that started it all: thank you. For holding my beginnings. For shaping my voice. For reminding me that even the smallest space can birth something enduring.
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One Curve, One Moment: A New Leg Takes Shape
Sometimes, it’s not about the whole piece—it’s about the gesture. This video captures a quiet moment in the shop as I shape and attach a new leg design for an upcoming furniture project. No tutorials, no commentary—just the rhythm of the work, the grain revealing itself, and the satisfaction of watching form meet function.
This leg carries the beginnings of a new silhouette—something grounded yet expressive, designed to support not just weight, but intention. It’s a small glimpse into the process, but one that speaks to the care behind every curve.
If this kind of craftsmanship resonates with you—if you’re dreaming of a piece that holds story, presence, and soul—I’d love to create it with you. Reach out to commission your next heirloom. Let’s build something that lasts. Commissions page
Tariffs and the Truth About Value
Why Legacy Matters More Than Ever
In fifty days, imported furniture may become more expensive. But the real cost isn’t in dollars—it’s in meaning.
For years, the market has been flooded with pieces that arrive fast, fade faster, and leave behind little more than landfill. They’re priced for convenience, not for memory. And as tariffs loom, many will scramble to justify the rising cost of what was never built to last.
But I don’t build for the moment. I build for the decades.
Each piece that leaves my shop carries intention. It’s shaped by hand, guided by philosophy, and designed to belong—not just to a space, but to a story. My work isn’t tariff-proof because it’s domestic. It’s tariff-proof because it’s rooted. In legacy. In care. In the quiet rebellion of making something that matters.
This shift in the market is more than economic—it’s cultural. It’s a chance to ask:
What do we want to live with?
What do we want to pass on?
What do we want to remember?
If you’re a designer, collector, or homeowner reconsidering your sourcing, I invite you to explore what’s possible when furniture is made with soul. Not just American-made. Soul-made.
Because in the end, value isn’t what you pay.
It’s what stays.
Ready to choose what stays?
If you’re rethinking your sourcing, your values, or the kind of legacy you want to live with—let’s talk. I’m opening a limited commission window ahead of the tariff shift, designed for those who believe furniture should carry memory, not just price tags
→ [Schedule a design consult] email me a.woodworks@hotmail.com
Because in a world of rising costs and vanishing meaning, what you choose to keep says everything.